Or, people who want complex plots dont watch blockbuster films; they watch indie movies.
The same way that if you want a literary novel, you aren't reading the latest YA best seller.
The super mainstream stuff is always going to go for broad appeal. There is nothing wrong with that, but the people who want something different are going to have to step outside the bestseller box the way they always had to.
It's a shame, because in an era when One Flew Over the Cuckoos Nest and Annie Hall were winning Best Picture the blockbuster film and "indie" film were harder to differentiate.
I am confused by the use of the term, telegraphed or signpost. I am not even sure I understand what this literalism is about.
Coming from a martial art background, telegraph means reading the subtle signs that comes before an action in order to anticipate, intercept, and counter it within the same tempo. It can also mean exaggeration of the signs, letting slip one’s intentions as an error in execution, or deceiving someone by falsely telegraphing intentions. They all come before the action, whereas the examples in this article seems to talk about things coming after the action.
"Telegraph" is a bit of an unfortunate word because when used metaphorically it has come to have two almost diametrically opposed meanings. I think that's what's tripping you up.
Ok, given that then I think the next thing that is tripping me up is that the author of the New Yorker article is writing in a way that is itself being very literalist.
I read through the whole article looking for something that is insightful, but it feels as if the author is beating a dead horse the way the examples does the same. Maybe experiencing that is the point, but I can't help but thinking it was all a waste of time.
If that were the case, people would watch classic movies, read novels, etc.
No, I’m pretty sure social media has seriously hurt the average person’s attention span.
The idea of sitting down and watching a two hour movie is really quite daunting when you’re used to videos that are at most 30 min and often less than one.
> The idea of sitting down and watching a two hour movie is really quite daunting when you’re used to videos that are at most 30 min and often less than one.
Whenever I watch a modern Netflix/Hulu/etc show: I'm on my phone 2 minutes into the show. Half paying attention to both.
Whenever I watch a modern BBC-ish (anything British really) show: I literally can't look away for more than 10 seconds because I will miss something crucial. If someone distracts me, I rewind the show and rewatch the last few minutes.
What's different? The Brits (at least the stuff that makes it into syndication) focus on content you're going to watch. The Americans focus on filling air between commercials.
Product placement counts as commercials for the purpose of this comparison.
Observe somebody browsing Tiktok/Instagram/YouTube Shorts. People compulsively swipe on to the next reel if the one they're watching doesn't hook them in within the first second.
Right, because the much vaunted Tik-Tok algorithm starts a stopwatch when the clip begins in order to determine whether or not to serve you more content like it.
This gets repeated ad nauseum, but IMHO people are short on patience, not attention.
Parents probably understand this the most: try to find an 80s movie to show to your kids, you'll have a pass at it first to properly remember what it's about, and it will painfully slow.
Not peaceful or measured, just slow. Scenes that don't need much explanation will be exposed for about for 10 min, dialogues that you digest in 2s get 2 min of lingering on.
Most movies were targeted at a public that would need a lot of time to process info, and we're not that public anymore (despite this very TFA about how writers make their dialogues dumber)
I noticed this recently when I decided to watch Hitchcock's 'The Birds.'
It was almost absurd to me not only how bland and drawn out most scenes were, but how absolutely poorly acted it was. If it were not famous(ie didn't exist), and updated to today's vernacular and shot scene for scene, it would absolutely get reamed by critics.
Funny how much changes in just a generation or two.
Old movies are kind of slow but I'm much less frustrated because they are short: an hour, at most two. That's more than enough to tell a story. Modern movies are two hours at minimum with some crossing over three with absolutely nothing to tell (e.g Babylon 2022, completely pissed me off).
I don't think the reason is "public needed time to process info", more likely both the length and the intensity (of changing sights, not of meaning) were ultimately determined by production costs. Filming two hours is more expensive than one hour. Filling an hour with 60 one-minute cuts is more expensive then 30 two-minute cuts because of all the setup and decorations.
Production is now cheaper thanks to CGI, box offices are larger thanks to higher prices and the global market. You no longer have to be frugal when filming, the protection against sloppy overextended movies is now taste and not money. And taste is scarce.
> If that were the case, people would watch classic movies, read novels, etc.
They literally do. Have you ever tried reaching out people NOT on social networks?
> The idea of sitting down and watching a two hour movie is really quite daunting when you’re used to videos that are at most 30 min and often less than one.
I don't think people know about classic movies, or know that they have access to classic movies (hint: libraries).
This people though has been catching up on a century of classic films. There are plenty of lists around on the internet if you wanted to get started. The AFI Top 100 is a gentle introduction to the (American-only) classics. There are deeper cuts when you are ready to saddle up for "1001 Movies" instead. (Warning, you could be starting down a journey that will involve the next eight years of your life.)
Go to a restaurant and watch any "romantic" couple, what they do. Pay attention to each other, talk? Nah, stare at their own screens, and every two minutes or so show each other a cute cat video and go "awww!"; pathetic.
