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> Hollywood leans strongly toward lionizing rogue cops/gestapo agents who trample civil rights.

Hollywood, like Legislatures, are giving the majority of the public what they want.



Boy do I have news for you.

"How the CIA Hoodwinked Hollywood

Since its inception, the agency has wooed filmmakers, producers, and actors in order to present a rosy portrait of its operations to the American public."

https://www.theatlantic.com/entertainment/archive/2016/07/op...


And the press. The press is important.


Given that Hollywood profits are at a two decade low[1], it’s not clear that’s true.

[1]https://www.vanityfair.com/news/2017/01/why-hollywood-as-we-...


They’re low because of television.

Hollywood is a cred game. The actual money since the 1950s has been on television. In fact Hollywood has never been as profitable, inflation adjusted, as it was before the commodification of television sets.

Source: I study history of film. To think of Hollywood in the 20s, 30s and 40s - think of Silicon Valley. Entire cities were made in huge lots behind LA studios. Nobody does that anymore. Gone with the wind, inflation adjusted, is still one of the most expensive and profitable movies ever made.

And yes, trust me - as far as they know (and a lot of things have been tried) Hollywood makes what it makes because it sells. It’s an industry like any other. Instead of cars they sell movies.


I've ha-ha-only-seriously described Hollywood as a complicated, interrelated set of financial instruments which as a by-product also produces movies for a while now.


I’d say you’re pretty bang on. I think it a changed in the 60s and 70s when bankers bought the place (again right after television gutted them).

Curiously in David Mamet’s new play, Bitter Wheat, a Weinstein type figure is described as money launderer.


Legislatures don’t give what the majority want. They give what the rich and powerful want.




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