From my observation Mattermost is not a software you buy "support" for. It either works and is self-manageable or you use something else. I guess Mattermost (as in the company) saw that too and now uses shitty practices to coerece people into buying it.
My Fujifilm X100VI shoots HEIC/HEIF, which is like the AVIF of H.265/HEVC. It seems to offer better compression than JPEG while having smaller file size. iPhone does this too. Why are you calling it an abomination?
I hope everyone switches over to AV1 or AV2 stills so we can have completely open image pipelines but It’s silly to say something is “DOA” when it’s been in use for 9 years (since 2017) by one of the world’s most popular consumer cameras (iPhone) and is now popping up in high end cameras. The company I work for (Notion) long ago had to start supporting HEIF uploads because a ton of our users expect their pictures to just work.
It'd still call it DOA if Apple are the only ones keeping it around. No one else is and no one else really cares. Also I think they have an ulterior motive - they are part of those who profit from patents on it. So they likely want to keep it around longer than others.
On the web? Good luck. AVIF is considered a baseline browser feature as of last year by the W3C; whereas JPEG XL is not fully supported by any stable browser release whatsoever, only Safari has been shipping partial support.
No, this competes with a lightsource, some stand and a macro lens+DSLR/M. It's a good price if don't have the later ones. But chances are high that you do if you are into photography.
5-10 minutes depending on equipment/skill. You "lose" most of the time if your strip is cut into stripes of 4-6 images, otherwise you can do it in 2 minutes.
I think I see what you mean. It’s the difference between having an image showing the shape and texture of each film grain, and an image which looks like what I saw in the camera and which isn’t going to be any sharper. The former has value but the latter was always good enough for me and, surprisingly, rather low in resolution compared to subsequent DSLRs and mirrorless cameras I bought in the 2010s.
Ilford Delta 400 pushed two stops to 1600 ASA in a 1970s Asahi Pentax SP1000 was always going to produce… artistic results, requiring as much imagination as acuity to appreciate the subject. (Read: see past the blur.)
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